Syfy's Caprica is quickly becoming one of the more intriguing industry dramas of this year's TV season.
A spin-off of the hugely popular Battlestar Galactica, its pilot aired nearly a year before the series, and the series resumed a couple months ago on (less-than-ideal) Friday nights, initially opposite the Haiti telethon and then the Winter Olympics. Not a simple task, to win ratings against those odds.
Through it all, Caprica's hovered around 1 million viewers, remaining strong in its key, younger demographics, but failing to loop new eyeballs into its unapologetically serialized storyline - of broken families, dead daughters, sprawling virtual universes and the invention of robotic killing machines. That's 1 million viewers, versus the more than 2 million people who watched this week's return of Syfy's Destination Truth - a reality show that costs a whole lot less to produce.
The drama now becomes: How much does Syfy believe in the series? How long are they willing to wait for the buzz to spread and catch on, that this is a damn interesting show (Entertainment Weekly just named it one of the 10 best shows on TV right now)? Fans - like me - are still waiting on word about season 2, and who knows what the outcome will be. (More at Techland: Read our interview with Caprica's creator)
Then again, you can't claim that the network isn't coming to the show's defense. On Tuesday, Syfy brought the Caprica cast and crew to the Museum of Modern Art here in New York City in a bid to build fanfare around the show's next two episodes – next Friday marks a mid-season cliffhanger – and it's clear that Syfy execs are very committed to the concept, the melodrama, and the cast. And checking out the fireworks to come in the series, it's clear that Caprica is about to take it all up a notch.
Standing along the red carpet, I think I started to realize why the show – which is very smart, and very addictive for those willing to give it half a chance – has failed to find a foothold. I met up with a friend who had never seen an episode, and my attempt to describe the show, and bring her up to speed on all the the themes and tribulations, was an all but futile endeavor. The show is so layered, so deep, so cerebral, that what it really needs, I think, is to break a little out of its bubble. If someone new tunes in for the first time, there needs to be some visceral thrills to accompany all of this heady babbling. Heady babbling that I love, mind you.
Even the most inward looking soap opera still finds ways to build dramatic action and tension.
If the bad news is that Caprica has been a little too insulated in its approach, and homogenous in its tone, thus far, then the good news is that the creators seem to get this very fact, and beginning tonight, we are on the fast track to some big, big action.
My review of tonight's episode will be up first thing Monday – with half a spoiler or two about next Friday's huge cliffhanger. What do you guys think? Does Caprica deserve a little more time to weave its arcs?
More at Techland: March Madness, round 1: 64 villain bouts!








I hope it does get more time, though to be honest I can't really say that I've loved the show. The BSG link is what keeps me coming back so I don't miss when things might get interesting.
Reflecting on the show, I think the writers were perhaps too ambitious right out of the gate. There are so many subplots that were going right from the beginning; I don't feel I had a chance to develop attachment to characters or care about their fate. Now that the show has been chugging along that is starting to change, though I still find some of the secondary characters to be the most interesting (Sam Adama & Virgis) despite less screen time.
greenehawk
Mar. 19, 2010 14:37pm
I think you nailed it. The multiple layers were actually what alienated me in the first episode of the actual serial run (and the story-in-itself-opening-credits). The memories of a show that began so slowly and so contained as BSG did were fresh in my mind and not to compare was hard. BUT, Caprica is easily one of the best shows on air. It tackles all basic narratives known to mankind and the V-World is the manifestation of all the bad there is. A wonderful concept, to paraphrase the show: "a place where you can blow someone's head off", and yet you hurt no one. Or to take the other route, a man-made-heaven That BSG fans know is more like the tower of Babel.
That being said, it has some major problems. It doesn't take it's audience completely serious (or uses to many exposition transitions as fillers), it's mid-rif episodes need a good trimming, and they ay just have put on a little much...
Writing that allows for such subtleties as the first episode's sexual orientation side by the most masculine man ever, and that doesn't heavily linger on the trinity speech, and guides us into a world so fantastically crafted, shouldn't have to talk about Viagra, so blatantly that it rips you out of the story.
If you read this and haven't watch it, you certainly should.
@Steven you'll put the spoilers towards the end of Monday's review...right? (c:
Barb
Mar. 19, 2010 19:03pm
Actually, I might not give away THAT many spoilers. Starting to write up my review right now, so I want to be careful about that.
Barb, obviously we agree that somtimes there's too much going on. Too dense too quickly, to the point where some threads are all but forgotten for weeks on end. You shouldn't end a show on a cliffhanger and then not even deal with that issue in the next episode...
The two things I want to say though: In next weekend's cliffhanger, we get a much better sense of why some of these subplots matter, and where they're heading. And during the biy NYC Syfy event, the producers basically admitted that they were a little too ambitious in the beginning, trying to fit too many threads into each and every episode, rather than digging in deep on what seemed most interesting in that chapter. So given that, I think we should now be seeing some tighter episodes, post-break...
Steven James Snyder
Mar. 20, 2010 12:30pm